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Where Does Black Lagoon Anime End In Manga

Written By Sunday, May 1, 2022 Add Comment Edit

Japanese manga series

Black Lagoon
Black Lagoon 01.png

First tankōbon book cover, featuring Revy
Genre
  • Crime[1]
  • Girls with guns[2]
  • Thriller[iii]
Manga
Written past Rei Hiroe
Published by Shogakukan
English language publisher

NA

Viz Media
Imprint Sunday GX Comics
Mag Monthly Sunday Factor-X
Demographic Seinen
Original run April 19, 2002 – present
Volumes 12 (List of volumes)
Light novel
Written by Gen Urobuchi
Illustrated by Rei Hiroe
Published by Shogakukan
Imprint Gagaga Bunko
Demographic Male
Original run July 18, 2008 – January 18, 2011
Volumes 2
Manga
Sōjiya Sawyer – Kaitai! Gore Gore Musume
Written by Tatsuhiko Ida
Published by Shogakukan
Banner Sun GX Comics
Magazine Monthly Sunday Factor-X
Demographic Seinen
Original run September nineteen, 2019 – present
Volumes 4 (List of volumes)
Manga
Eda - Initial Stage
Written by Hajime Yamamura
Published by Shogakukan
Magazine Monthly Sunday Cistron-X
Demographic Seinen
Original run April xix, 2022 – present
Anime television series
  • Blackness Lagoon (2006)

Black Lagoon (stylized in all caps) is a Japanese manga series written and illustrated past Rei Hiroe. It has been published in Shogakukan's seinen manga magazine Monthly Lord's day Gene-X since April 2002, with its chapters collected in twelve tankōbon volumes as of August 2021. In North America, the manga is licensed for English release by Viz Media.

The series follows the Lagoon Visitor, a 4-member team of pirate mercenaries smuggling goods in and around the seas of Southeast Asia with their PT boat, the Black Lagoon. The group takes on various jobs, unremarkably involving criminal organizations and resulting in trigger-happy gunfights.

The manga was adapted into an anime television serial by Madhouse, which was broadcast for two seasons of twelve episodes each in 2006, followed past a five-episode original video animation (OVA) series released from July 2010 to June 2011.

As of January 2022, the Black Lagoon manga had over eight.v meg copies in circulation. The series has been overall well received, with critics particularly praising the action sequences.

Plot [edit]

The story follows a squad of pirate mercenaries known as the Lagoon Company, that smuggles goods in and around the seas of Southeast Asia in the early on to mid 1990s.[a] The Lagoon Company consists of four members: Dutch, the leader; Revy, the master gunfighter; Benny, the mechanic, computer specialist, and researcher; and Rock, an ex-salaryman hijacked by the team and abased by his section primary, eventually becoming their negotiator and "professional" face of the group, retaining his quondam task skills. Their base of operations of operations is located in the fictional harbor city of Roanapur in east Thailand near the border of Cambodia (somewhere in the Amphoe Mueang Trat district, likely on the mainland north/northeast of the Ko Chang island or on the island itself). The urban center is abode to the Japanese yakuza, the Chinese triad, the Russian mafia, the Colombian cartel, the Italian mafia, a wide assortment of pickpockets, thugs, mercenaries, thieves, prostitutes, assassins, and gunmen. The metropolis also has a big Vietnamese refugee population following the Vietnamese refugees exodus after the communist takeover of Vietnam in 1975.

Lagoon Company transports appurtenances for diverse clients in the American made 80-foot (24 thou) Elco-blazon PT boat, Black Lagoon. It has a particularly friendly human relationship with the Russian crime syndicate Hotel Moscow. The team takes on a variety of missions—which may involve violent firefights, hand-to-paw combat, and nautical battles—in various Southeast Asian locations, even going every bit far as Phu Quoc island of Vietnam. When they are not working, the members of the Lagoon Company spend much of their downward time at The Yellowish Flag, a bar in Roanapur which is often destroyed in firefights.

Product [edit]

Concept and influences [edit]

Manga author Rei Hiroe said that when he was approached by the publisher Shogakukan to work for a manga project, he offered them different prototype stories that he had planned, including Black Lagoon, which was finally selected.[4] [5] Hiroe wanted to create an action and law-breaking oriented series.[4] For the ground of the story, he was inspired by watching news about piracy cases in the S China Sea in the 1990s, which he thought that fitted perfectly with his want to make a "dynamic and original" series, adding that pirates "know no borders and are truly free," and that it seemed interesting to work on the subject field.[4] [6] Hiroe also commented that at first, the original idea was nearly medieval pirates, but he changed his mind and made the story about modern day pirates instead.[five]

Hiroe stated that he has been influenced past writers James Ellroy, whom he called his favorite novelist, and Stephen King, stating that he learned how to create the temper of Black Lagoon based on his works.[7] Hiroe likewise called Mikiya Mochizuki [ja]'s manga serial Wild 7 "almost like the Dna of that sort of action genre," and mentioned influence from Akihiro Ito (Geobreeders author) and Kenichi Sonoda (Gunsmith Cats author).[eight] [5] Apart from manga, Hiroe stated that, from a "purely graphic point of view", he was influenced by the Franco-Belgian comic series Soda, and commented that he liked the atmosphere and storytelling of Blacksad by Spanish authors Juan Díaz Canales and Juanjo Guarnido.[nine]

Hiroe is peculiarly influenced past films, mentioning influence from directors John Woo, Quentin Tarantino, Robert Rodriguez, and by the 1990s Hollywood films and triad Hong Kong films from the 1980s and 1990s.[6] Hiroe mentioned that Pulp Fiction and other films from Tarantino inspired him to residual the activity and comedy in Black Lagoon.[6]

Hiroe said that although the series is much influenced past American works, he was not worried most the references being lost on the Japanese readers, stating that information technology can be sensed when the American culture is coming from a Japanese person, so "in that location's a style in it that tin can be sensed past Japanese readers," adding that conversely, if people in America read information technology, there is "more than potential for awkwardness and weird parts."[5]

Writing and evolution [edit]

Regarding accuracy, Hiroe declared that he had not done too much research on modern day pirates, commenting that even on the internet is difficult to discover good information on them, also stating that the crew of Black Lagoon is "a bit different from what nosotros are used to seeing." Regarding the weapons, on the other hand, Hiroe said that he was a big fan and that he had a personal collection, beingness well-versed on the subject, adding that he bought encyclopedias in order to do good from more than precise details.[4] Due to the fact that the serial is a "menses piece of sorts," which features mafia and military themes, Hiroe commented that he did a lot of research for those subjects, watching documentaries and reading books.[6] Hiroe also stated that he would sometimes find some interesting facts that he would like to incorporate into his work, and that he tried not to go towards current events, but use past information for the entertainment value.[x] He said that the setting is loosely based on reality and that it would non be interesting if it were unrealistic, calculation that he at least wants to maintain a semblance of realism, emphasizing, however, that the sense of realism is "very subjective," calculation that a character like Roberta, a "Terminator-like maid," would non piece of work in a novel, but she will in a comic; "she has to be over-the-top because information technology's a comic."[11]

Hiroe commented that while film is an "active" medium, manga is like having "nevertheless frames", then for the action scenes he needs to find the "best moments in time to convey meaning and move," calculation that one of the advantages of manga is that "y'all're not anchored to reality", commenting that he is able to brand guns bigger than their physical counterparts and make explosions "far larger and more than gaudy."[8] He said that from the starting time, it was agreed with the publisher that the serial would include action and violence, so there were never problems regarding that, adding that he would "get towards even more sensationalism if it is necessary for the plot," simply Hiroe added every bit well that he does not desire it to exist bars to its violence either.[ix]

Hiroe said that from the start, he wanted a story "without nationalities, without specific identities," adding that "we are still in a criminal context," and past mixing different cultures in the story, he wanted to run across the reaction of each culture to this "thorny subject," without making any judgment.[4] Referring to whether the manga could be perceived every bit a political argument, due to actual piracy issues in Africa and elsewhere, and since the manga is most pirates, Hiroe said that "as long as there are various people's opinions being voiced, it won't finish to be political," emphasizing, however, that there is not just i possible fashion of reading it, such every bit "America is bad" or "Russia is bad," and that the series is written to be perceived from different perspectives.[v] Although Hiroe noted that his serial is entertainment, he commented that he would like to make people who read it feel the backdrops, like characters with poverty backgrounds or living in the world with international conflicts.[6] Hiroe too said that it is fine if the readers only enjoy the series purely for the activeness, but commented: "[t]here are a few things hidden in in that location, and then I'd be the happiest if on a 2nd or third read-through, those things go apparent."[five]

Hiroe said that more often than not it takes him about a calendar month to produce one chapter, adding that in that location are a lot of details and he puts a lot of work into it. Regarding the procedure, Hiroe explained that he has the initial thought, and so the publisher would give him input as to "what'south good and what's bad and what's adept for the audience, what they might like." They hash out it and if something might not work so well, he redoes the plot line. Hiroe commented that while there are a lot of manga artists who practice non accept skillful relationship with the publishing company, and they have to practise what they are ordered, in his example, it is more common and he can do more than of what he likes at the aforementioned time.[10] Hiroe's editor, Akinobu Natsume, commented that at starting time, the story was very elementary, only that later on having introduced more characters, they had to remember about their respective stories, as well every bit the relationships that unite them, commenting that this was in line with the complexity that Hiroe wanted, supporting him and refraining him when the story got also difficult to follow. Hiroe alleged that there are no real rules for the variable duration of the story arcs, and that he tries above all to retrieve about the appropriate length to stage all that he had to say on the initial idea, calculation that the rest of the story should stay in that management.[9] He said that since the series is set in the 20th century, he counts on the occasion of the transition to the 21st century to create a "powerful effect" that will alter its plot, commenting that if he manages to transcribe his ideas properly, "we will reach the culmination of my story."[4] He affirmed that the had in mind the end of the story and that he knew the decision that he needs to make for each grapheme, but that it must be staged in the right direction and in a consistent way.[nine]

Hiroe said that to keep the manga interesting and heady for both himself and the readers, he "takes a remainder right in the eye. Just stop, accept a pace back, and relax for a bit and then I'yard not stuck in the grind," commenting that manga artists who write weekly manga or other long-running series, similar those published in Weekly Shōnen Jump, "don't have that luxury," and that working on a monthly series gives him the opportunity to piece of work on a different projection "to go on things from getting dried."[8] The manga has been on hiatus several times; it went for an almost three-year hiatus from May 19, 2010,[12] to Jan 19, 2013;[xiii] [fourteen] [15] information technology went on a three-yr hiatus again from January xviii, 2014,[xvi] to May 19, 2017;[17] it went on hiatus for a year from August 18, 2018,[18] [xix] to September 19, 2019.[20] [21] Hiroe has attributed these pauses to his depression,[22] adding that he is doing his best to move forward with the series without rushing too much.[23]

Characters [edit]

Referring to the creation of the characters, Hiroe stated that he goes backward, imagining how they would recall and how they lived, commenting that the process in itself "can be fun." He commented: "I sometimes offset decide that this guy is from here, he's ethnically this way, he belongs to this kind of group, so look into historical facts and events. From there I try to necktie all threads of those elements together, and when they tin can be tied organically together it'south similar, "Yay this is fun!" Hiroe said that the characters are not necessarily based off of anyone in item, but that from watching films in particular, he would arrange things which would "kind of shape the grapheme."[6] He commented, all the same, that Mr. Chang, the leader of the triads, has a resemblance to Hong Kong histrion Chow Yun-fatty.[six] [9] Hiroe claimed that the fact that in the story are women who take upwardly arms, while men accept more sedate roles, was not a well-considered choice at the start, only that it naturally "imposed itself over the course of the adventure," noting that this is 1 of its stiff points, expressing happiness to have met women who have enjoyed the series.[9]

Regarding Revy, Hiroe said that he had no particular model in mind, but commented that later watching Robert Rodriguez'due south moving-picture show From Sunset till Dawn, he noticed the "imposing tattoo" on the shoulder of George Clooney's character and idea that it "would be nice" to do such a tattoo on a female person body.[iv] [ix] For her personality, Hiroe first wanted that her ascendant graphic symbol trait was impulsiveness. To accentuate it, he decided to make her abound up in a criminal environment, so that her values were totally different from "ordinary mortals."[iv] Hiroe commented that she is a strong adult female, good at shooting guns and fighting, only that she is not motivated by justice and that she is just an "ordinary criminal," adding that he placed her in the story because "it is rare to come across such a female" and her presence would arrive more than interesting.[7] Hiroe commented that the reason backside her Chinese-American heritage was because he wanted to make her a minority, adding that she does not look Caucasoid simply rather Mongoloid, and that it would brand it easier for Japanese readers to identify with her; "easier than if information technology was a white woman going ballistic." He added that it is interesting when at that place is a gap between the style she looks and her manner of thinking, commenting that people similar that "aren't really tied down to a region, like they're rootless wanderers," and that "apparently, she probably faces discrimination in her life," adding that taking all that into account, he thought the character would "stand out more."[eleven] Hiroe said that Revy is the graphic symbol that requires most piece of work from a graphic point of view, expressing that he had drawn her countless of times in very different situations and emotions, and that he must be careful to not become in another direction over fourth dimension, so as to non distort the initial graphic symbol.[9]

According to Hiroe, at the beginning of the project there were only "bad men," and after discussing it with the editorial staff, they decided to introduce a character who would share the same point of view as the readers, and so he added Rock as a businessman to the story. Hiroe commented that there was no particular reason why he is Japanese. Hiroe commented that subsequently Rock was added to the story, "he came to life and started to build his ain interesting character."[7] Sunao Katabuchi, director of the anime accommodation, said that Rock is the character that he empathized more than with,[24] commenting that while "[westward]e live our daily lives every bit if we are airtight inside of a box-like earth," Stone "breaks out of such a box," adding that breaking out is not the end for him; "[he senses that] there may yet another box that possibly be broken out of," and he is "pointed in the right direction. The fight is not with the container which encloses the world, just with 1's self."[25]

Hiroe stated that he did non dislike "beautiful girls" or moe characters, but that the inclusion of these characters should depend on whether there is a relevancy to use them in what he is creating. He stated that when creating the Colombian maid and former FARC guerrilla, Roberta, her pattern was slightly influenced from the growing interest in maids at the time, but that he dressed her as such because he imagined that an affluent family in South America "would dress maids that style," adding that her design was non a take on "moe culture" every bit much every bit it made contextual sense.[8] Katabuchi commented that the anime staff referred to the scene where Roberta'southward umbrella opens up and spins around the torso and fires equally "The Evil Mary Poppins", calculation that Hiroe as well had the idea to utilise the grapheme as a kind of "Death Poppins."[24] Hiroe commented that at the beginning, Roberta had "a very set character background," merely he wanted to see if he could go past that and break it down to see what he could do with information technology, which is why the character reappeared in the story.[10]

Originally, he had non planned the arc of the Hansel and Gretel twins to exist more nighttime and serious than the rest of the serial. He commented that at outset he idea that it would exist smashing if there were beautiful "really loopy" twin kids wielding giant guns, simply that he started doing some research, reading most the history of Romania (their home state) and the Cold War/Soviet era, commenting: "[t]hings were really bad back and then, so the story became much darker based on what I'd learned. It was…not exactly the happiest place on Earth."[8]

Media [edit]

Manga [edit]

Written and illustrated past Rei Hiroe, the pilot chapter of Black Lagoon was published in Shogakukan's seinen manga magazine Monthly Sunday Gene-X on March 19, 2001.[b] It started its serialization in the aforementioned mag on April 19, 2002.[c] Shogakukan has collected its capacity into individual tankōbon volumes. The commencement volume was released on December 12, 2002.[31] As of August 19, 2021, twelve volumes have been released.[32]

In North America, the manga is licensed for English release by Viz Media.[33] The commencement volume was released on August 12, 2008.[34] As of January 21, 2020, eleven volumes have been released.[35] Due to copyright-related reasons, the Viz Media edition censors the references to song lyrics and brand names, including the brands of the guns.[36]

A spin-off about Sawyer, titled Black Lagoon: Sōjiya Sawyer – Kaitai! Gore Gore Musume ( Black LAGOON 掃除屋ソーヤー 解体！ゴアゴア娘 , lit. "Blackness Lagoon: Sawyer the Cleaner - Dismemberment! Gore Gore Girl"), illustrated by Tatsuhiko Ida, began in Monthly Sunday Gene-Ten on September 19, 2019.[37] [21] The first tankōbon volume was released on July 17, 2020.[38] As of Feb xviii, 2022, iv volumes have been released.[39]

A spin-off near Eda, titled Blackness Lagoon Eda: Initial Stage, illustrated by Hajime Yamamura, started in Monthly Lord's day Gene-X on April 19, 2022.[40] [41]

Anime [edit]

The manga was adapted into an anime television serial animated by Madhouse, which was broadcast for twelve episodes on Chiba TV (and on other fifteen terrestrial stations) from April ix to June 25, 2006.[42] [43]

A 2nd flavour, Blackness Lagoon: The Second Barrage, consisting of twelve more episodes, ran for the first time on Sendai Television receiver from October three to December xix, 2006.[44] [45]

A 5-episode original video animation (OVA), titled Black Lagoon: Roberta's Blood Trail, which covered the "El Baile de la Muerte" arc of the manga, was released from July 17, 2010, to June 22, 2011.[46] [47] [48]

Other media [edit]

Ii light novels written by Gen Urobuchi, with illustrations by Hiroe, take been released nether Shogakukan's Gagaga Bunko banner. Black Lagoon: Sheitane Birdy ( ブラック・ラグーン シェイターネ・バーディ , Burakku Ragūn Sheitāne Bādi ) was published on July 18, 2008.[49] [50] Black Lagoon 2: Carol of the Sinful Wizard ( ブラック・ラグーン　2　罪深き魔術師の哀歌 , Burakku Ragūn Tsu Tsumibukaki Uizādo no Barādo ) was published on January 18, 2011.[51]

An illustration book, titled Onslaught: Black Lagoon Illustrations, was released by Shogakukan on August 19, 2021. It includes the original pilot chapter illustrated pages, key visuals of the 20th ceremony exhibition and unpublished illustrations. The limited edition included a h2o gun replica of Revy'due south Beretta 92 FS "Sword Cutlass Special", five autographed illustrations and six bookmarks.[52]

Reception [edit]

The volumes of Black Lagoon have frequently ranked equally the acknowledged manga volumes on Japan's weekly charts since 2007.[d] The 8th book was the #14 best-selling manga book of 2008 in Japan.[59] As of Feb 2014, the manga had over vi one thousand thousand copies in circulation.[60] As of November 2018, the manga had over 7 million copies in circulation as of November 2018.[61] Equally of January 2022, the manga had over 8.5 million copies in apportionment.[62]

About.com's Deb Aoki listed Viz Media's English release of Black Lagoon as the best new seinen manga of 2008, along with Gantz.[63] Aoki said that even not-manga readers would savor it, adding that it is "more like a Hollywood or Hong Kong action movie" than a series with the "pubescent girls and giant robots" formula usually associated with manga, also calling it "a fun fantasy for readers who've outgrown the loftier seas hi-jinks of 1 Piece but are nonetheless pirates at middle."[64] Aoki added that the focus on "whip-smart, sexy and confident women" is i of the best things of the serial; "[n]ot girls, just existent women who can blow up enemies without blinking an eye or breaking a nail."[65] Leroy Douresseaux of ComicBookBin compared information technology to The A-Team and to a "Quentin Tarantino exploitation flick," besides calling information technology an "extra-violent version of Cowboy Bebop" and "Bad Boys II on paper," stating that the series "will appeal to whatever male reader old plenty to understand big guns, big boobs, and gratuitous pistol-in-crotch shots."[66]

Greg McElhatton of Read About Comics said that the series is "never boring, never wasting fourth dimension for anything," calculation that it is not "all activeness and nix else," lauding the fashion Hiroe was able to bring across Revy's existentialist views of the world "without sounding preachy or bringing the story to a crashing halt," mentioning her disagreements with Stone. McElhatton said that the series is "clever, fast, and fun" and that "isn't a simple shoot-em-up, it's an action comic for people who appreciate a smart script."[67] A.E. Sparrow of IGN made a positive review of the serial, stating that information technology has "[e]verything you love about a bad activity movie," only stating that unlike a "bad action moving-picture show", the series has "actual character development", commenting that it "veers towards that dynamic that made Cowboy Bebop equally fun every bit it was."[68] Isaac Unhurt of PopCultureShock said that the serial reminded him "intensely" of Kouta Hirano'southward Hellsing, stating that both serial feature "psychotic badasses", "they're all near the fanservice" and they both "shamelessly fetishize violence." Hale too said that the activity is "insane, incommunicable, and drips with overwhelming amounts of cool," praising its artwork as well.[69]

Davey C. Jones of Active Anime praised the series for its activeness scenes and artwork, stating: "[t]he character designs are grade A. The guns, torpedoes, boats, ships, cars, are all detailed to spec and look fantastic!" recommending as well the series to fans of Gunsmith Cats and Cowboy Bebop.[70] Greg Hackmann of Mania.com wrote that Hiroe "doesn't saddle the over-the-superlative action with scenes of lingering seriousness or angst," noting that the signal of the story is "watch our anti-heroes work together […] to rack up ridiculous body counts and mostly kick serious amounts of donkey. And you lot know what? It may sound impaired -- hell, it is dumb -- but it's too incredibly damned entertaining."[71] David Rasmussen of Manga Life compared the series unfavorably to Cowboy Bebop, stating that while it "doesn't suck," it is non "Cowboy Bebop memorable either." Rasmussen called it a "decent enough activeness drama yarn," but commented: "I never really continued with its characters to the signal of maxim I actually desire to rave about this."[72]

Writer Jason Thompson called the serial "a loftier-free energy heist manga intended, if the author's in-jokes are any indication, in the collateral-damage spirit of movies similar Rambo and The Wild Bunch." Thompson said that the dialogues are well-written and "Tarantino-ishly foul-mouthed," adding that the action scenes are "more flashy than clear," criticizing the "huge sound effects and closeups of muzzle blasts," which make it "difficult to tell what's happening," just ultimately called the serial "a fun ride, and at its all-time moments it reaches an about Hellsing-like level of mayhem."[36] Writing for Anime News Network (ANN), Thompson stated that the series has superficial similarities to Gunsmith Cats, including "strong female protagonists, crime/heist stories, and tons of guns," simply stated that Hiroe'due south art style is more similar to the art of Akihiro Ito and Kouta Hirano, commenting, still, that the series does non "feel particularly influenced by manga," simply "influenced by everything imaginable and wants to let you know information technology," mentioning its references from John Woo, The Magnificent Seven to Jean-Paul Sartre. Thompson chosen it "a truly "global manga," with international influences and an international bandage, a rainbow of colors."[73]

Theron Martin of ANN commented that the series "should accommodate any fan of R-rated Hollywood action movies simply fine," also praising the artwork and the action scenes, concluding: "Blackness Lagoon offers a good for you, high-octane serving of nearly not-stop violence, scheming, and graphic content. It aspires to be nothing more than a hard-cadre actioner, and because of that information technology works extremely well."[74] Reviewing the first volume, Carlo Santos, of the same website, said that it is "the very definition of cinematic: gunplay techniques by John Woo, explosions past Michael Bay, and a host of other visual indulgences that go far a loud, nonstop blockbuster." Santos, however, stated that the story "ripped direct from the plotbook for crime dramas and gang wars," calculation that each chapter is paced according to formula, final that the series is "[northward]ot the greatest, non the deepest, simply entertaining enough if you lot're upwardly for some babes with guns."[75] Reviewing the tenth volume, Rebecca Silverman, of the same website, noted that while the series has physical fanservice, most of it is gun related, "with shots of different firearms and gun battles that rely on difficult angles," commenting that the series' appeal is its "dark, criminal fantasy about a world with few rules, where death is ready to take you the infinitesimal you commencement to think about giving up."[76]

Notes [edit]

  1. ^ In the "El Baile de la Muerte" arc, the tombstone of Diego Jose San Fernando Lovelace showed that he died in the yr 1991, although the Northward American translation/publication showed that he died in 1996. Also, in the same arc, American soldiers are seen using EO Tech holographic weapons sights, which were non adult until the mid-to-late 1990s.
  2. ^ Chapter published in the April 2001 issue (encompass date),[26] [27] released on March 19 of the same year.[28]
  3. ^ It started in the May 2002 outcome (cover date),[26] [29] released on April 19 of the same yr.[30]
  4. ^ References for each book:
    • Volume 7[53]
    • Volume 8[54]
    • Volume 9[55]
    • Volume x[56]
    • Volume eleven[57]
    • Volume 12[58]

References [edit]

  1. ^ Osmond, Andrew (July thirty, 2012). "Panty & Stocking DVD Plus Black Lagoon Blu-rays Released Monday". Anime News Network. Archived from the original on April 24, 2019. Retrieved September 13, 2018.
  2. ^ Oppliger, John (November 6, 2009). "Inquire John: What Are the All-time Girls With Guns Anime?". AnimeNation. Archived from the original on January 12, 2010. Retrieved January 6, 2020.
  3. ^ "The Official Website for Blackness Lagoon". Viz Media. Archived from the original on March 31, 2019. Retrieved October 28, 2017.
  4. ^ a b c d e f g h "Interview de Rei Hiroe, papa de Black Lagoon". Manga Sanctuary (in French). February fourteen, 2013. Archived from the original on Nov three, 2017. Retrieved Apr 2, 2022.
  5. ^ a b c d e f Wheeler, John (July 6, 2011). "Anime Expo 2010: Blackness Lagoon's Rei Hiroe". Asia Pacific Arts. Archived from the original on November 8, 2019. Retrieved Apr 2, 2022.
  6. ^ a b c d e f g Ink (July 5, 2016). "Rei Hiroe Talks Film Inspiration and Blackness Lagoon's Nascence". Ani-Gamers. Archived from the original on July 17, 2018. Retrieved September 22, 2020.
  7. ^ a b c "Short Cuts: A pair of quickie creator interviews". Otaku USA. Vol. 5, no. two. Sovereign Media. August 2011. p. 106. Archived from the original on April 2, 2022. Retrieved April two, 2022.
  8. ^ a b c d e Surat, Daryl (Feb fourteen, 2017). "The Creature from the Black Lagoon". Otaku USA. Archived from the original on July 23, 2021. Retrieved April ii, 2022.
  9. ^ a b c d e f g h "Rencontre avec Rei Hiroe". manga-news.com (in French). February 12, 2013. Archived from the original on June 14, 2018. Retrieved April 3, 2022.
  10. ^ a b c Mak, Theodore (July 11, 2010). "Rei Hiroe Interview". The-O Network. Archived from the original on June 26, 2017. Retrieved Apr 2, 2022.
  11. ^ a b Hiroe, Rei (July 2010). "Rei Hiroe's Loser'southward Horizon #0: Hello, everybody over seas!". Black Lagoon . Vol. 9. Viz Media. ISBN978-1-4215-3629-3.
  12. ^ 月刊　サンデーＧＸ 2010年6月号. Shogakukan. Archived from the original on June 24, 2010. Retrieved March 31, 2022.
  13. ^ Loveridge, Lynzee (Dec 17, 2012). "Black Lagoon Manga's Return Slated for January 19". Anime News Network. Archived from the original on November 5, 2021. Retrieved March 31, 2022.
  14. ^ 月刊　サンデーＧＸ 2013年2月号. Shogakukan. Archived from the original on June 27, 2013. Retrieved March 31, 2022.
  15. ^ Green, Scott (January 19, 2013). ""Blackness Lagoon" Manga Returns!". Crunchyroll. Archived from the original on January 22, 2013. Retrieved January 19, 2013.
  16. ^ 月刊　サンデーＧＸ 2013年2月号. Shogakukan. Archived from the original on Apr 1, 2014. Retrieved March 31, 2022.
  17. ^ Green, Scott (May 17, 2017). ""Black Lagoon" Anime Gets Rebroadcast Forth With Manga's Return". Crunchyroll. Archived from the original on July fourteen, 2020. Retrieved July 14, 2020.
  18. ^ 月刊サンデージェネックス （２０１８年９月号）. Kinokuniya (in Japanese). Archived from the original on April ane, 2022. Retrieved March 31, 2022.
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Further reading [edit]

  • Douresseaux, Leroy (July 15, 2010). "Black Lagoon: Volume 9". Comic Book Bin. Toon Md.

External links [edit]

  • Official website (in Japanese)
  • Official manga website at Monthly Dominicus Cistron-10 (in Japanese)
  • Black Lagoon (manga) at Anime News Network's encyclopedia

Source: https://en.wikipedia.org/wiki/Black_Lagoon

Posted by: pettitsuded1943.blogspot.com

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